35mm, 2 secs, f/25, ISO 400 |
With the background set there were a couple of decisions: which marble to use and where to put it. With the light source over to the right I chose a position slightly off centre with the marble's shadow pointing in to the frame.
35mm, 2 secs, f/25, ISO 400 |
Of course, as we saw in the previous exercise, adding a second point creates a connection, a line. I placed it here to achieve a degree of balance. The white marble is still the dominant point.
35mm, 2 secs, f/25, ISO 400 |
A third point introduces the prospect of a stronger line if all in a line, or a triangle. A line would have looked contrived so I created an obtuse (and weaker) triangle.
35mm, 2 secs, f/25, ISO 400 |
The fourth marble creates a small right angle triangle in the foreground. The extended line on the left hand side softens the appearance of the triangle and prevents the scene looking contrived.
35mm, 2 secs, f/25, ISO 400 |
My intent here was to soften the small triangle further. The result is a composition of two lines - one down the left hand side and a new one starting on the right running slightly diagonally upwards.
35mm, 2 secs, f/25, ISO 400 |
35mm, 2 secs, f/25, ISO 400 |
It wasn't until I overlaid the final image with lines did I understand how difficult it is to truly fit the brief. Triangles are such a powerful and recognisable shape and there are 3 of them of a similar size in the final shot. In hindsight choosing a solitaire board, with its regular pattern, makes it more difficult for an arrangement to feel random - and each point is uniform too.
The more I look at the final image, it's not the triangles I see - it's the diamond shape that occupies the centre.
In summary, I didn't make things easy for myself but I do feel that I have managed to avoid the rather easy pitfall of the image appearing obvious/contrived.
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