There have been a number of obstacles to maintaining the pace that I'd originally set, but in some way this exercise was one of them. The thought of having to take 40 images seemed like a sizeable effort - certainly the biggest one yet.
To recap, 20 pairs of images were needed; each pair consisting of a vertical and horizontal shot. Intrigued by this exercise I've trawled through my library and I seem to have a tendency to take portrait shots (which probably breaks from the norm).
Here are the images I've compiled for this exercise.
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| 120mm, 1/80 secs, f/16, ISO 100 |
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| 18mm, 1/80 secs, f/16, ISO 100 |
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| 105mm, 1/125 secs, f/18, ISO 400 |
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| 75mm, 1/125 secs, f/18, ISO 400 |
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| 18mm, 1/1000 secs, f/8, ISO 800 |
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| 20mm, 1/80 secs, f/8, ISO 800 |
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| 10mm, 1/500 secs, f/18, ISO 800 |
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| 10mm, 1/320 secs, f/18, ISO 800 |
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| 30mm, 1/50 secs, f/22, ISO 400 |
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| 30mm, 1/50 secs, f/22, ISO 400 |
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| 55mm, 1/4000 secs, f/5.6, ISO 100 |
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| 55mm, 1/1000 secs, f/5.6, ISO 100 |
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| 22mm, 1/60 secs, f/20, ISO 800 |
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| 22mm, 1/60 secs, f/20, ISO 800 |
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| 18mm, 1/13 secs, f/22, ISO 100 |
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| 18mm, 1/20 secs, f/22, ISO 100 |
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| 18mm, 1/40 secs, f//22, ISO 100 |
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| 18mm, 1/40 secs, f/22, ISO 100 |
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| 18mm, 1/60 secs, f/22, ISO 100 |
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| 18mm, 1/60 secs, f/22, ISO 100 |
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55mm, 1/800 secs, f/22, ISO 100
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| 55mm, 1/800 secs, f/22, ISO 100 |
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| 15mm, 1/400 secs, f/16, ISO 400 |
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| 10mm, 1/400 secs, f/16, ISO 400 |
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| 18mm, 1/1000 secs, f/10, ISO 400 |
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| 18mm, 1/1000 secs, f/10, ISO 400 |
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| 50mm, 1 secs, f/22, ISO 400 |
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| 18mm, 2.5 secs, f/22, ISO 400 |
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| 45mm, 1/1000 secs, f/5.6, ISO 100 |
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| 35mm, 1/1000, f/4.5, ISO 100 |
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| 45mm, 1/160 secs, f/5.6, ISO 100 |
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| 24mm, 1/160, f/4, ISO 100 |
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| 55mm, 1/60 secs, f/11, ISO 100 |
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| 55m, 1/60 secs, f/11, ISO 100 |
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| 50mm, 1/200 secs, f/11, ISO 400 |
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| 55mm, 1/200 secs, f/11, ISO 400 |
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| 20mm, 1/160 secs, f/11, ISO 400 |
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| 24mm, 1/160 secs, f/11, ISO 400 |
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| 50mm, 1/160 secs, f/2.2, ISO1600 |
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| 30mm, 1/125, f/4.5, ISO 6400 |
Conclusion
As the exercise brief suggests, by this point of the course most students will have a bias towards shooting landscape. I on the other hand am probably guilty of the opposite.
It still proved to be a valuable experience. Very few shots only work in one of either landscape or portrait, and breaking with convention can work very effectively (both portrait shots of the Tudor buildings are a prime example). Granted, a change of focal length, composition, angle of view and/or altering the distance from the subject may be necessary.
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